Selected Productions

At ABC News, I contributed to more than 25 longform specials spanning true crime, pop culture, celebrity, and politics. My role combined research, archival sourcing, field production, and logistics, ensuring every story had the depth, accuracy, and impact it needed. I also brought a creative eye to the work, finding visuals and approaches that made complex stories more engaging. Many of these specials reached wide national audiences, giving me a deep appreciation for how powerful storytelling can connect with viewers. Hover over each thumbnail to see my specific contributions to every project.

Diddy’s Downfall

I elevated the documentary with rare visuals (from Sean John campaigns to Diddy’s high school yearbook) that gave the audience fresh context. By licensing exclusive international interviews and fact-checking lawsuit timelines, I ensured the story felt both culturally expansive and journalistically airtight.

Andrew Tate: Into the Manosphere

I shaped this special from pitch to air, resurrecting deleted Tate content and organizing an archive that spanned hours of material from Romania. My work provided unique, verifiable evidence that grounded the script, giving ABC News a sharper and more authoritative perspective than competitors.

Long Island Serial Killer

I turned scattered sources into a cohesive visual archive (mugshots, victim photos, dating app images, and on-the-ground reenactments) that gave the episode its emotional gravity. My coordination ensured the production didn’t just tell the story, but captured the weight of it for viewers nationwide.

Say Her Name: Breonna Taylor

I curated a sensitive archive of Breonna’s personal photos, protest footage, and unreleased bodycam transcripts. By humanizing the coverage and documenting the national response, I helped ABC deliver storytelling that honored her life and reflected the urgency of the movement her death ignited.

Lita McClinton

I transformed FBI documents, photos, and transcripts into a unified archive that producers could actually build on. My work sharpened interview questions, structured the story’s narrative spine, and gave audiences a deeper, more personal view into a decades-old case.

Charlie Adelson Trial

During the fast-moving trial, I recovered corrupted files, managed live transcription, and coordinated courtroom feeds. My proactive organization allowed producers to deliver same-day, fact-checked coverage; keeping ABC ahead in accuracy and timeliness as the case unfolded in real time.

Kobe Bryant: Superstar

I coordinated with ABC’s Los Angeles affiliate to gather archival photos and video of Kobe Bryant’s personal life, while also liaising with sports organizations to request in-house content (even when licensing costs were steep). I tracked down rare material, cleared usage rights, and worked with editors to ensure the footage honored his legacy. I also supported a reenactment shoot with an actor portraying Kobe, working on set in a high school for locker room and basketball court scenes.

Amanda Gorman: Brave Enough

I collaborated with the Good Morning America team on this special, where Robin Roberts served as correspondent. I organized parental clearances for a Harlem classroom surprise, coordinated with videographers, and managed all incoming media. I also sourced photos of girls who dressed as Amanda during her inauguration poem and secured permission from their families so the images could be included. On set, I handled logistics to ensure Amanda’s Zoom appearance landed seamlessly.

24 Months That Changed the World

I streamlined graphics requests across six acts of the documentary, keeping designers and producers aligned on tone and edits. My coordination created a consistent, professional polish that gave the production credibility while meeting demanding deadlines.

Platinum Party at the Palace

I monitored BBC’s live broadcast in real time, flagging standout performances and speeches that would resonate with U.S. audiences. My selections helped ABC cut a global event into a sharper, more relevant broadcast that connected royal tradition with pop culture for viewers worldwide.

Ghislaine Maxwell

I sourced rare photos of Robert Maxwell’s life and worked closely with producers to shape how those images supported the narrative. By also producing reenactment B-roll with actors and crew, I ensured the visuals weren’t just filler but story-driven moments that deepened audience understanding. This balance of archival research and creative production gave the final cut both credibility and atmosphere.

Where Monsters Hide: Kelly Cochran

I managed a three-day reenactment shoot with multiple actors, overseeing schedules, wardrobe changes, and transportation. By handling the details and keeping talent supported, I freed producers to focus on story, ensuring the shoot delivered professional, compelling visuals that elevated the final cut.